Popular Publications dominated the 1930s “weird menace” shudder pulp era with lurid titles like Terror Tales, Horror Stories, and Spicy Mystery. Packed with sadistic villains, tortured heroines, and bondage-heavy covers by artists such as Norman Saunders and Hugh Joseph Ward, these magazines are essential precursors to post-war BDSM and fetish imagery. Continue reading Popular Publications
Eugène Réunier, a pseudonym for German artist Carl Breuer-Courth, significantly influenced early 20th-century erotic art. His 1925 portfolio, Autour de l’Amour, depicted themes of dominance and submission, pioneering visual narratives for the kink community. Réunier’s legacy intertwines with the dismantling of Victorian taboos, preserving crucial aspects of BDSM history. Continue reading Carl Breuer-Courth
In the late Victorian and Edwardian era (1870–1910), a “bifurcated girl” was any woman bold enough to wear divided skirts, bloomers, or the new cycling knickers. One skirt became two legs. One modest silhouette became two scandalous outlines. Society didn’t see fashion; it saw rebellion. A woman who literally split herself was no longer “one” under God and man. She had stepped out of line. … Continue reading Bifurcated Girls
Charles Gates Sheldon (1888–1960) didn’t set out to be a fetishist. Born in Worcester, Massachusetts, he trained at the Art Students League in New York under luminaries like George Bridgman. By 1916 he was already the go-to illustrator for The Ladies’ Home Journal, turning out soft-focus cover girls in pastel and charcoal that made every reader believe beauty was just one sigh away.But Sheldon wasn’t … Continue reading Charles Gates Sheldon
Marian Wawrzeniecki (c. 1863–1943) was a Polish painter, archaeologist, and art historian who melded the ancient with the erotic. His work, inspired by Slavic mythology, features themes of desire and mortality. His unique blend of pagan dominance and sensuality prefigures modern BDSM art, leaving a lasting legacy of profound emotional truth. Continue reading Marian Wawrzeniecki
Paul Prött (c. 1880–1945), a German artist, transformed personal tragedy into a powerful voice in Weimar erotica. His works, influenced by his WWI experiences, melded commercial design with BDSM themes. Prött’s stark black-and-white pieces, featuring raw power dynamics, anticipated later kink aesthetics, making his originals highly sought after. Continue reading Paul Prött
Chéri Hérouard (1881–1961), as Herric, turned 1920s–1930s Paris into a chic spanking playground. His La Vie Parisienne illustrations blend Art Deco elegance, theatrical flair, and mischievous humor, elevating corseted damsels and stern governesses into high-society BDSM spectacles. Continue reading Cheri Herouard
Gaston Smit (active 1919–1933), alias Georges Topfer and James Barclay, is a mysterious French illustrator of interwar flagellation erotica. Likely one artist, he produced over 100 theatrical, sadomasochistic illustrations for clandestine Parisian publishers, blending Victorian tales with vivid, discreetly distributed visuals. Continue reading Gaston Smit
Raymond van Doren (1906–1991) was a Belgian artist known for his portraiture, female nudes, and groundbreaking fetish photography. His works, spanning much of the 20th century, reflect themes of vulnerability and power, utilizing classical techniques and modernist elements. Van Doren’s contributions have recently gained renewed interest for their historical significance in pre-war erotica. Continue reading Raymond van Doren
Seiu Ito (1882–1961) is recognized as the father of modern kinbaku, blending Edo-period elements with eroticism in bondage art. Despite facing censorship and losing much of his work in WWII, he influenced contemporary BDSM culture through his innovative techniques, illustrated life, and artistic contributions that captured the spirit of his time. Continue reading Seiu Ito
