Henri Oltramare (1878–1953) was a renowned photographer from Geneva, celebrated for his artistic nudes during the Belle Époque. His work, characterized by exquisite printing and dramatic lighting, balanced art and taboo. Recently, previously unknown Orientalist prints have emerged, enhancing his legacy and importance in early fetish photography. Continue reading Hentri Oltramare
In the late Victorian and Edwardian era (1870–1910), a “bifurcated girl” was any woman bold enough to wear divided skirts, bloomers, or the new cycling knickers. One skirt became two legs. One modest silhouette became two scandalous outlines. Society didn’t see fashion; it saw rebellion. A woman who literally split herself was no longer “one” under God and man. She had stepped out of line. … Continue reading Bifurcated Girls
Margaretha Zelle, born in 1876 in Leeuwarden, escaped an abusive marriage by reinventing herself as Mata Hari, Paris’s most celebrated exotic dancer and courtesan. In 1917 France, desperate for a scapegoat, executed her as a German spy on flimsy evidence. Survivor, performer, myth: the original femme fatale was simply a woman trying to live.
Continue reading Mata Hari: The Myth, the Dancer, the Scapegoat
Rudolf Franz Lehnert (1878–1948) was a photographer known for his romanticized portrayals of North African women. He co-founded Lehnert & Landrock, a studio that thrived on artistic postcard production. Critics label his work as ethnocentric. Lehnert’s legacy endures through surviving glass plates, valued by collectors and historians alike. Continue reading Rudolf Franz Lehnert
Marian Wawrzeniecki (c. 1863–1943) was a Polish painter, archaeologist, and art historian who melded the ancient with the erotic. His work, inspired by Slavic mythology, features themes of desire and mortality. His unique blend of pagan dominance and sensuality prefigures modern BDSM art, leaving a lasting legacy of profound emotional truth. Continue reading Marian Wawrzeniecki
Grundworth Studio, active from 1890 to 1930, emerged as a pioneering force in erotic photography amid Europe’s repressive atmosphere. Utilizing secrecy to navigate societal constraints, it specialized in proto-BDSM themes, capturing the interplay of vulnerability and desire. Despite fading into obscurity by the 1930s, its provocative works now resonate within the BDSM Art Archive. Continue reading Grundworth Studio
Gaston Smit (active 1919–1933), alias Georges Topfer and James Barclay, is a mysterious French illustrator of interwar flagellation erotica. Likely one artist, he produced over 100 theatrical, sadomasochistic illustrations for clandestine Parisian publishers, blending Victorian tales with vivid, discreetly distributed visuals. Continue reading Gaston Smit
Seiu Ito (1882–1961) is recognized as the father of modern kinbaku, blending Edo-period elements with eroticism in bondage art. Despite facing censorship and losing much of his work in WWII, he influenced contemporary BDSM culture through his innovative techniques, illustrated life, and artistic contributions that captured the spirit of his time. Continue reading Seiu Ito
In the dim hallways of Victorian England, where strict decorum hid the most intense cravings, a notorious piece of early BDSM literature appeared: Mysteries of the Verbena House. It first saw the light of day in 1882 under the pen name “Etonensis” (a cheeky reference to the elite Eton College) where the rod symbolised both authority and hidden excitement. The novel has since become a landmark … Continue reading Mysteries of the Verbena House
A Medical Treatise or Erotic Bible? Published in Paris in 1899 by Dr. Jean Martin Charcot’s circle (anonymously, under the pseudonym Docteur Jaf), Étude sur la Flagellation à travers le monde au point de vue médical, historique, religieux, domestique et conjugal is the most exhaustive 19th-century study of spanking, birching, and ritual punishment ever written. At 400+ pages with over 100 illustrations, anatomical diagrams, historical … Continue reading Étude sur la Flagellation
