Th. Juwé

Th. Juwé appears to be an obscure early 20th-century German photographer (or possibly a pseudonym for one), primarily known today through their contributions to Weimar-era erotica and fetish photography. Their name surfaces almost exclusively in connection with flagellation-themed imagery, depictions of corporal punishment, spanking, and sadomasochistic motifs, that aligned with the bold sexual explorations of the late 1920s and early 1930s in Germany. Little is … Continue reading Th. Juwé

 A Visual History of BDSM in Film Promotion

Imagine The Godfather with Don Corleone bound in silk ropes, or Pulp Fiction’s dancers locked in a steel cage. What happens when the silver screen meets the dark room? From the lurid grindhouse prints of the 1960s to today’s glossy streaming thumbnails, BDSM imagery has long been a visual shorthand for transgressive desire. Film titles and promotional posters act as cultural signposts, instantly communicating a … Continue reading  A Visual History of BDSM in Film Promotion

History of Nuns, Monks, and Spanking

Today I’m exploring a surprisingly persistent yet taboo fascination: the erotic allure of nuns and monks both delivering and receiving spankings. Far from being a purely contemporary fetish, this motif threads through centuries of religious discipline, provocative art, and whispered convent anecdotes. I’ll draw on archival accounts of corporal punishment within monastic communities, Victorian‑era erotica, and a selection of historic artworks—including pieces from the Spanking … Continue reading History of Nuns, Monks, and Spanking

BDSM Themes in Early Modern Mezzotints

Let’s go on a journey through six provocative prints by John Smith (1652–1743), a renowned English mezzotint engraver who left a legacy of intricate prints that blend satire, sexuality, and power dynamics. Known for reproducing works by masters like Rubens and creating original pieces, Smith’s art from the late 17th and early 18th centuries subtly echoes modern BDSM themes: dominance and submission (D/s), bondage, sadomasochism … Continue reading BDSM Themes in Early Modern Mezzotints

Exotique by Leonard Burtman

Exotique was a specialized fetish magazine published by Leonard Burtman under his Burmel Publishing Company imprint in New York City between 1955 and 1959. The magazine’s femdom theme, photos, and artwork mark it as a direct descendant of the first major fetish magazine Bizarre (1946-1959), produced by John Willie. Exotique was entirely devoted to fetish fashions and female-dominant bondage fantasies. The 36 issues featured photos and illustrations of dominatrix-inspired vamps (including wife Tana Louise and iconic model Bettie Page) wearing exotic leather and … Continue reading Exotique by Leonard Burtman

The Counterfeit Traitor

The Counterfeit Traitor is a 1962 war film starring William Holden, Hugh Griffith, and Lilli Palmer. Holden plays an American-born Swedish citizen who agrees to spy on the Nazis in World War II. It was based on a nonfiction book of the same name by Alexander Klein. The film was directed by George Seaton. Ingrid Van Bergen is a red leather clad dominatrix/resistance fighter with … Continue reading The Counterfeit Traitor

Diana Slip Lingerie

The Diana Slip Lingerie company, active from the 1920s to 1940s, emerged as a significant entity under the ownership of Léon (Victor) Vidal, with its establishment rooted in France around 1930. The company opened a luxurious boutique by the upmarket Madeleine district in Paris, between rue Royale and the Place Vendome.  Les Editions Gauloise (later, Les Libraires Nouvelles) was a company which comprised a diverse … Continue reading Diana Slip Lingerie

Inspired Edges

Artists have long turned to the works of others as a springboard for their own creations, a practice rooted in admiration, study, and reinterpretation. In the context of vintage BDSM art, this often involved drawing inspiration from photographs or sketches by peers, such as adapting poses, compositions, or themes to suit a personal style. This approach allowed artists to hone their craft, explore new techniques, … Continue reading Inspired Edges

60’s Sex & Fetish Exploitation

This collection shows the fetishistic and perverse influence of the underground “roughie” film genre, like Olga’s House of Shame (working on that one). I did my best to combine multiple fragments. Compilation This compilation shows fragments from the following films:View on Archive.org The Defilers (1965) Two young thugs kidnap a young girl and keep her in the basement of an old warehouse where they forcibly … Continue reading 60’s Sex & Fetish Exploitation

4 Fetish Stags

To follow up on expanding the collection Stag Movies, here are a few more. Lessons of the Strap This first short stag reel, circa late-1950s is about a woman being punished by a jealous girlfriend. The footage show bondage and non-stop hand spanking. Similar to Irving Klaw’s films.View on Archive.org Family Spirit Family Spirit from 1940s (or earlier) is a French hardcore stag film with … Continue reading 4 Fetish Stags

Cuckold

The term “cuckold” might sound like a relic of a bygone era, but its legacy lingers in art, literature, and even modern slang. Historically, a cuckold was a man whose wife was unfaithful, often mocked with the symbolic imagery of horns sprouting from his head. From Renaissance theater to 18th-century sketches, cuckoldry has been a source of satire, comedy, and cultural fascination. But where did … Continue reading Cuckold

Riding the Human Pony Girl

Irving Klaw’s Riding the Human Pony Girl (1950s) is one of the earliest cinematic explorations of pony play fetishism. The short film features intricate bondage, light spanking, and girl-on-girl pony riding, showcasing the era’s experimental approach to erotic cinema. Midway through, the two dominatrices pause to adjust the submissive’s arm positioning, leaving viewers to speculate whether this was a deliberate artistic choice or an oversight in staging. … Continue reading Riding the Human Pony Girl