Keiko Otsuka (大塚啓子) was an obscure Japanese bondage model in the late 1950s–early 1960s, appearing in Kitan Club magazine. Known for her short bob and intense gaze, she posed in a rare 1963 series alternating as both submissive and dominant, offering an early femdom hint in raw, functional kinbaku style. Continue reading Keiko Otsuka, Pioneer of Onna-Zeme
William Seabrook (1884–1945), occult journalist and BDSM pioneer, ritualized bondage as mystical ecstasy among Surrealists. He commissioned Man Ray’s 1930 Fantasies series, featuring Lee Miller collared by Maison Worth. The infamous 1929 Paris staircase incident chained a submissive for voyeuristic photos. His transcendent sadism legacy persists despite tragic suicide. Continue reading William Seabrook: The Occult Sadist
Henri Oltramare (1878–1953) was a renowned photographer from Geneva, celebrated for his artistic nudes during the Belle Époque. His work, characterized by exquisite printing and dramatic lighting, balanced art and taboo. Recently, previously unknown Orientalist prints have emerged, enhancing his legacy and importance in early fetish photography. Continue reading Hentri Oltramare
Lucette Desmoulins, a prominent figure in 1930s Paris, transitioned from humble origins to become a celebrated actress and model known for her roles in film and theater. Engaging with the risqué work of Biederer Studio, she balanced glamour and desire, leaving a legacy of elegance that continues to inspire discussions about her artistry and influence. Continue reading Lucette, the Enigmatic Muse
Carlo Mollino, a 20th-century Italian architect, produced a remarkable collection of private Polaroids depicting women in luxurious settings, expressing both elegance and submission. His work blends Surrealism and contemporary kink, capturing a nuanced power exchange. Celebrated posthumously, Mollino’s art reveals deeper themes of intimacy and eroticism, remaining influential today. Continue reading Carlo Mollino: Architect of Secret Desires
William Mortensen (1897–1965) was the bad boy of 1920s–1930s photography: theatrical, grotesque, openly sadomasochistic tableaux while the rest of the world preached “pure” straight photography. Hated by Ansel Adams, got erased from history, yet his dark, perfectly-lit bondage and occult images secretly fathered modern fetish and horror aesthetics. Continue reading William Mortensen
Popular Publications dominated the 1930s “weird menace” shudder pulp era with lurid titles like Terror Tales, Horror Stories, and Spicy Mystery. Packed with sadistic villains, tortured heroines, and bondage-heavy covers by artists such as Norman Saunders and Hugh Joseph Ward, these magazines are essential precursors to post-war BDSM and fetish imagery. Continue reading Popular Publications
Eugène Réunier, a pseudonym for German artist Carl Breuer-Courth, significantly influenced early 20th-century erotic art. His 1925 portfolio, Autour de l’Amour, depicted themes of dominance and submission, pioneering visual narratives for the kink community. Réunier’s legacy intertwines with the dismantling of Victorian taboos, preserving crucial aspects of BDSM history. Continue reading Carl Breuer-Courth
In the late Victorian and Edwardian era (1870–1910), a “bifurcated girl” was any woman bold enough to wear divided skirts, bloomers, or the new cycling knickers. One skirt became two legs. One modest silhouette became two scandalous outlines. Society didn’t see fashion; it saw rebellion. A woman who literally split herself was no longer “one” under God and man. She had stepped out of line. … Continue reading Bifurcated Girls
Margaretha Zelle, born in 1876 in Leeuwarden, escaped an abusive marriage by reinventing herself as Mata Hari, Paris’s most celebrated exotic dancer and courtesan. In 1917 France, desperate for a scapegoat, executed her as a German spy on flimsy evidence. Survivor, performer, myth: the original femme fatale was simply a woman trying to live.
Continue reading Mata Hari: The Myth, the Dancer, the Scapegoat
